Mister
(listen to the poem, read by Ann van Wijgerden)
The guy at the V.A. calls me “Mister” even though I asked for him to not call me “Mister,” but he insists, calls me “Mister,” says he’s going to prescribe me something for the tremors and asks if I’m OK with that and I say, “OK with that? Every night,” I say, “Every night is an earthquake, like windstorm is my bed and it feels like I’m going to be rocked right off, shaken not stirred, as if I’m about to explode, so, yes, I’m OK with it” and he says, “Would you like to do follow-up?” and I say, “I don’t need follow-up, just the medication” and he says, “OK, I can’t give you the medication then. I can only give you the medication if you do follow-up,” and I say, “Why’d you ask me then?” and he says, “Because it’s your life. You can do what I want,” and I say, “If I could do what I want, I’d just have you give me the medication” and he says, “I can’t give you the medication without follow-up” and I say, “Then give me a follow-up appointment” and he says, “I don’t think you’ll come in” and I say, “I’ll come in, if you give me the medication” and he says, “Mister, I don’t think you’re going to come in, so I’m not giving you the medication” and I say, “Can we please not play games? I just told you how much I need the medication,” and he says, “Sorry, but I can’t. But thank you for coming in” and he says, “Do you know the way out?” and on the way out I see a man getting arrested in the hallway and they have us wait while he gets arrested and two women who work there stand next to me and one says, “It’s getting more and more dangerous to work here” and the other says, “I wish I worked anywhere else” and the man gets arrested and they haul him by me and the guy looks me in the eyes and then he’s gone and there’s nothing else to tell you.
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I had a PTSD counselor say to me one time
(listen to the poem, read by Ann van Wijgerden)
“I hate this job” as if she was confiding in me, letting me know how much she trusted me and it was the start of the session and I didn’t know how to respond, but I figured it wasn’t about me, how she’d walked in late, looked exhausted, said she has twenty-five clients a week, and I figured I’m one of the twenty-five and her office smelled like candy and dust and she said, “But it’s not about me— how’ve you been doing this week?” and my words were sort of like when this guy was wearing a Hawaiian T-shirt at a thrash metal concert and I was way in the back and the lead singer yelled out to the guy in the T-shirt, “Why are you wearing that?” and he yelled out that you wear an all-black T-shirt to a metal concert and not something like a rainbow and he yelled to the crowd to tear off the guy’s shirt and the crowd did and they threw up shards of the shirt to the lead singer and he took out a lighter and lit the Hawaiian shirt on fire and my words felt like that.
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“Have you had hallucinations?”
(listen to the poem, read by Ann van Wijgerden)
“Not in a long time.” “How long?” “A long time.” “How long?” “Since I got out.” “How long ago was that?” “Long.” “OK, but when did you get out?” “A long time ago.” “Mister, could you just answer the question. When did you get out of the military?” “Well, I never got out of the military, if you want me to be honest. I’ll probably be in the military forever. Even when I’m not in the military I’m in the military.” “OK, so you’re not going to answer.” “I just answered.” “I just need a date, the date you got out of the military.” “I thought you wanted to know if I’m having hallucinations.” “Are you?” “Not in a long time.”
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In the military, when they would hit us in the skull
(listen to the poem, read by Diane R. Wiener)
it was called training. Only one kid was killed
during training. I grew up near a train wreck.
It was near a lake, the train falling off, into
the water, my mother telling me this when
we were driving by, rural, middle of nowhere.
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On the final day of your enlistment in the military, they hand out the PTSD
(listen to the poem, read by Diane R. Wiener)
and it swells inside you
and it retreats into your vesicles
and it falls into your chest
and it mosses up the insides
and ensures you’ll never rest
but they tell me I’m resilient
when they take out my left lung
and the burn piles flowered
the sky with smoke and
we coughed up sick rooms
like absence, and on the final
day of your enlistment,
they ensure your humiliation
was at its max, and the hex’s
presence is like a fist, and
there’s no denial of the past.
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About the Author
Ron Riekki has been awarded a 2014 Michigan Notable Book, 2015 The Best Small Fictions, 2016 Shenandoah Fiction Prize, 2016 IPPY Award, 2020 Rhysling Anthology inclusion, 2019 Red Rock Film Fest Award, 2020 Dracula Film Festival Vladutz Trophy, 2019 Très Court International Film Festival Audience Award and Grand Prix, and 2022 Pushcart Prize. Right now, Riekki’s listening to 1972’s “Fallin’ My Star.”