| Emily K. MichaelLINGUA FRANCAI sit straight-backed in a broken desk the only seat I can find
 without tripping on huddled backpacks
 or catching my white cane in their straps.
 
 Madame glides down the rows, dropping tests in her wake
 I* put up my hand —
 my exam unread.
 
 "La pauvre," she sighs.
 
 "Your paper, it's in my office. I made in
 the large font but forgot
 to bring with the rest."
 
 I give my understanding nod. And she promises
 to rush upstairs for "the special test."
 
 Pens scratch around me. I register
 discomfort — and learn to wait
 palms flat on the desk.
   CELLOIt captures the sound of the earth, creaking with the burden of revolution,
 and the roots of great trees reaching deep inside,
 curling round the axis. It sounds the dappled,
 the luminous golden-green of thick foliage, of sunlight
 lapping against wide, aged trunks. It rises,
 richly sonorous, and pulls at each filament
 of the spirit with familiar notes— the soft timbre
 sliding like warm honey into perception. Thick, supple,
 sweet, an old voice lives in the wood and the strings,
 a cantor of primal invocations, of heart-melodies.
 Tracing the gnarled bark and the wandering roots
 to set the world reeling for rebirth.
   INSIDE JOKESA long draped table hosts five blind guests, two microphones, one moderator: a last supper strewn with free pencils, insufficient paper, and clear water glasses.
 
 In reaching for the only microphone that still works my partner threatens
 to send his decorous goblet tinkling to the floor — its thousand shards
 
 a dark promise for the paws of our assembled guide dogs. A second swipe
 for the mic brings the glass an inch from peril, so he hands it to me.
 
 I place it out of reach before the empty chair at my right. No one mentioned
 the glasses when we sat down. No one filled the water jug. No one brought
 
 an extra microphone, so we pass the good one back and forth, rustling
 the heavy mic stand along the disposable tablecloth, clinking the cord
 
 against the overturned water glasses, bracing ourselves for the feedback.
     Emily K. Michael is a blind poet, musician, and writing instructor from Jacksonville, FL. Her poetry and essays have appeared in
 Wordgathering, The Hopper, The South Carolina Review, The Deaf Poets Society, Nine Mile Magazine, BREVITY's Nonfiction
 Blog, and AWP Writer's Notebook. Michael's work centers on ecology, disability, and music. Find more of
 her work at her blog On the Blink. Her 
 first book Neoteny: Poems is available for pre-order 
from Finishing Line Press.
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