Michael Northen

PIGS FLY

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The first place they appeared was the oak tree
foraging the acorns not yet fallen to the ground.
Next they were in the crooks of the splay-armed
tulip poplar and finally grunting in the pines
with voices like asthmatic snorers.
I stared, the wind tugging at my jacket
belief as rusted as the Chevy I climbed into.

No seraphim, their bodies were their bodies,
cumbersome, heavy-jowled, moving not like swifts
but ill at ease in the air
like the fantails and tumblers of childhood.

When the edges of my windshield
cropped them from the ordinary
I sat a full minute.
The ignition started on the first turn of the key.

the photograph is described in the poem below

ON A PHOTO BY ELI NORTHEN

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In the top left corner rice paper thin geese
are trying to rise above the frame.
They are only a nuance of the fog
whose anemia overlaid
with scuffed album marks tell us
that the mind from which those thoughts emerged
died long ago.
Dissemblance retrocedes to first appearance:
the stone church spectral,
the trees evaporating from their tips,
the still dark ground from which they all arise formless.
a few birds lag behind dissolving into gesture
(framed photo, photo frame, time frame, mind frame, frame of mind…)

 

Michael Northen is the editor of Wordgathering and an editor with Jennifer Bartlett and Sheila Black of the anthology Beauty is a Verb: the New Poetry of Disability. He is also an editor of the upcoming anthology of disabiity short fiction, The Right Way to Be Crippled and Naked (Cinco Puntos Press).