Jennifer Barlett
THE FIELD GUIDE TO THE BODY
Movement: So that, every gesture must be accounted
for. The world all around becomes
unique with longing
a truck passess
a building is red
these things define themselves
I am not the only one; each person
is born with a certain blindness,
an incapability to describe the interior.
She tells him if there were no categories
this looking would be impossible.
She tells him, the only category for him
is beauty.
Story: So that, this is a body that know itself
having no alternative reference.
Movement 2: So that, motion is not merely
something in the abstract.
For example, a boy rollerblading
down the street on crutches and one leg.
Speech: So that, there is a shower from within.
Water comes out like a thousand tiny
snowflakes of unknowing.
Unlike others, my weaknesses are on
constant display.
The hurry and delay: So that, this going nowhere fast gets
to me. And I get to it.
The Body as Rewritten So that, the shadow crosses the street.
in the Form of a Museum Piece: The shadow walks the beach,
its figure moves laboriously blanketed
by a series of LED lights: the movement
is, at once, distorted and beautiful.
After all, aren't we all damaged
human forms.
Jennifer Bartlett's first collection of poetry is Derivative of the Moving
Image (UNM Press, 2007). In 2005, she was a New York Foundation for the Arts
Poetry Fellow. Individual poems have or will appear in The Brooklyn Rail,
How2, Coconut and others. |